for Aditi Mangaldas
You emerge — from within darkness, your face
sliding into light —
you squirm virus-like in a womb,
draped blood-red, on black stage-floor.
Around you, others swirl about
dressed as green algae,
like frenetic atoms
under a microscope in a dimly lit laboratory.
Art mirroring life — reflecting the pandemic on stage.
Your hands palpitate,
as the sun’s own blinding yellow corona
cracks through the cyclorama.
People leap about — masked, veiled.
You snare a man’s sight
with your fingers mimicking a chakravavyuh —
you are red, he is green, she is blue —
trishanku — life, birth, death —
regermination, rejuvenation, nirvana.
Everything on stage — as in life —
moves in circular arcs.
Irises close and open, faces veiled unveil —
hearts love, lungs breathe — breathless.
Lights, electromagnetic — knotted, unwrapped —
music pulsates, reaching a crescendo,
then silence.
Time stops. Far away in the infinite blue of the cosmos —
I look up and spot a moving white.
I see a white feather
trying its best to breathe
in these times of breathlessness, floating downwards —
and as it touches the floor, in a split-second
everything bursts into colour, movement, the bols/taals
try to restore order,
rhythm, both contained and free.
The backdrop bright orange,
the silhouettes pitch-black.
As you embrace another human form,
the infinite journey of timelessness might seem
inter_rupted,
but now is the moment to reflect and recalibrate
immersed in the uncharted seas, in the widening circles,
telling us — others matter,
the collective counts.
I examine minutely the striated strands
of the pirouetting feather, now fallen —
its heart still beating, its blood still pumping,
its white untarnished.
Life’s dance continues — with or without us —
only in the understanding of what is,
is there freedom from what is.
*